Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Jun 6, 2007

BREAKING NEWS: Hip-Hop Producer Marley Marl Suffers Heart Attack

By Nolan Strong
Date: 6/6/2007 11:58 am

Pioneering Hip-Hop producer Marley Marl suffered a heart attack yesterday (June 5) sources told AllHipHop.com.

While details are sketchy, sources said Marley Marl, born Marlon Williams, is in a New York area hospital and is in stable condition.

Marley Marl is one of the most influential producers in the history of Hip-Hop.

In the early 80's and 90's, Marley crafted seminal records for rappers like Eric B. & Rakim, MC Shan, Big Daddy Kane, LL Cool J, TLC, Masta Ace and Kool G. Rap.

Marley Marl's Juice Crew was also involved in rap's most famous feud with KRS-One and Boogie Down Productions, a beef which produced a number of classic Hip-Hop singles like "The Bridge" by MC Shan and KRS One's answer record, "The Bridge is Over."

Marley Marl and KRS One have since ended their feud and released an album together titled Hip-Hop Lives, which was released last month via Koch Records.

Representatives for the producer would not release any details as of press time, but asked fans to pray for Marley Marl's speedy recovery.

According to the most recent statistics released by the American Heart Association, Cardiovascular diseases (CVD) rank as the number one killer of African-Americans, with 1 in 5 suffering from some sort of CVD.

Mar 1, 2007

Added to the rotation...

So last week, while watching Grey's Anatomy, and damn nearing balling my eyes out over Meridith's seeming death, I found myself quietly singing along to Meridith and McDreamy's tender moment. I realized, before my closed captioning confirmed (btw: I love close captioning), that it was Damien Rice's Sleep Don't Weep from his latest album 9.

I smiled inside because it was yet another reminder of how very necessary the UK's sound has been to my musical sanity and how prominent it's been in American television (well at least on Grey's Anatomy). Damien is just one of several other UK artists to have songs featured on Grey's Anatomy: Roison Murphy, Snow Patrol, The Chalets and others. Needless to say, this Northern Ireland native is in good company. So, of course I pulled my 9 cd off of the shelf, grabbed a glass of wine and chilled. It's been a week and I still can't stop playing it.

Damien Rice
I first discovered Damien Rice when I moved back to Chicago 3 years ago. I received a free cd sampler at one of the many chicago festivals I attended. The sampler was an eclectic mix of new and relatively unknown artists of all genres. Well, I gave it a listen a few times and was kind of impressed with some of what I heard, Damien's track being one of them. I forgot about Damien for a very long time until earlier this year when he performed on one of the late night talk shows. The next day, I ordered his latest cd 9.

I love 9. It's such a moving collection of songs. His music is a little bit of blues meets folk style. I'm also reminded of Sade a bit everytime I hear his voice. Both artists' music exuth a quiet, yet potent blend of emotions. You can't help but feel deeply what their songs are conveying. If you aren't up on Damien Rice, then check it out. I'm so glad that my favorite tv show reminded, of one of my new favorite artists.

Feb 19, 2007

In heavy rotation...

If you've been paying attention over the past few years of this blog life, you'll know that music (good music) is of the utmost importance to me. From the countless live shows I attend each year, to my steadily growing cd collection, to my computer-based warehouse of digital music, right on down to my newest venture: building a record collection of old school classics; good music is like a first-born. It's always extra special and set apart from the rest. It's for this reason, that I've decided to share, and more regularly, what I'm listening to at any given period.

Over the past few months, the sounds of the UK have flooded my airwaves. I've been so enamored by the sound and the quality of the UK scene that I half-heartedly consider a big move overseas, at least once every other day. I just want to be closer to it, and further away from the crap that is urban radio. I'm so tired of hot beats, playing under garbage ass lyrics. I mean, how much longer must we be forcefed the same shit about bitches, rims and bling? None of it's new or even remotely interesting. The succession of lil so and so's and young whomevers saying the same shit over a Kanye beat or a Kell's remix is tired already and disingenous. And by the way, why these Chicago nigs keep representing on this shit is beyond me. The lack of musical integrity is so overwhelming.

It's become so painfully obvious that with each new generation (and the gap is widening exponentially), comes an even more unintelligible population of young people who prefer beats over lyrics, quantity over quality and hype over actual depth. They're woefully lazy, unoriginal and rigid, allowing urban radio and mtv to determine the full scope of their musical palette. The mass of widely accepted mediocrity is suffocating.

There are just so many good artists out there, UK, underground and otherwise obscure that I'm feeling right now. I've selected three for now (not to worry, I'll be sharing more soon). Unfortunately, I can't go into detail about these selections at the moment because I'm at work, and theoretically, I should be working. But, I will say this: JUST TRUST ME. You want to be up on these artists.

Corinne Bailey Rae
Yes, I know you've been familiar with Corinne for a minute now. I know that Put Your Records On has been your jam and since her Oprah appearance, so has Like A Star, but I suspect that you've been sleeping on the album. By that I mean, not really listening to it with your most careful and critical ear. So, I am telling you right now listen to this album.


Amy Winehouse

This soulful diva is amazing. Her music is absolutely, the best thing I've heard in a minute. Her sound is so refreshing and grounded in soul and blues traditions. It's new, yet familiar all at the same time. My only regret is not discovering it sooner.


Lily Allen
This album is definitely not your average 21 year old music. She has a soft, yet mature sound. The album doesn't boast any complex melodies or lyrics, but it's honest and unassuming (even if her controversial remarks aren't), making for a fun musical experience.

Sep 10, 2006

This might explain the delay, or not...


So rumors have been flying since July that Columbia is refusing to release Lauryn's third album, fearing that it won't sell. I don't know if it's true or not, but a group of Lauryn fans seem to think so and have put together a petition in support of it's release.

http://www.ipetitions.com/petition/laurynhill/

If it is true, all I have to say is shame on Columbia. I've seen their roster of artists, I'm sure they aren't new to poorly selling albums!

Sep 9, 2006

Dear Beyonce:

There are only two words that I can use to describe your new album, B'Day:

NOT GOOD!

Sincerely,
nahmix

Sep 1, 2006

It doesn't get any sweeter...



First-Week Album Sales: 75,000
Second-Week Projected Sales: 30,000
Can you say: BIG FLOP!!!

Aug 30, 2006

All I wanna know is...


Did you cop this new Roots joint?

Dec 9, 2005

More than a notion...

A few months back I posted that J.Period, some mixtape dj created The Very Best of Lauryn Hill mixtape. At the time of that post, it wasn't available for purchase!

But guess what...it is now! Check it out.

But not only is it now available, so is volume 2!!!


To purchase, check out: J. Period. You know I ordered mine!

Sep 16, 2005

Fall line up in the Chi...

Thursday, October 6th
The Legendary Roots Crew
The HOB
9pm


Saturday, October 15th
Tracy Chapman
Riviera Theatre
7:30pm


Monday, October 17th




Musiq Soulchild & Keyshia Cole
The HOB
9pm


Wednesday, October 19th




Kindred & Jaguar Wright
The HOB
9pm


Friday, November 4th

Digable Planets
Park West
7:30pm


Sunday, November 27th
Damian Jr. Gong Marley
The HOB
9pm


Others to consider:

Burning Spear
Saturday, September 17th
The HOB @ 9pm

George Clinton & Parliament
Monday, September 26th
The HOB @ 9pm

Xscape & Lil Mo
Monday, October 3rd
The HOB @ 10:30pm

Busta Rhymes & Miri Ben Ari
Saturday, October 29th
The HOB @ 10pm

Jamiroquai
Sunday, October 30th
Congress Theatre @ 7:30pm

Aug 31, 2005

Mark your calendar


MTV Resurrects Unplugged With Alicia Keys
by Paul Cashmere

On July 14, MTV brought back their Unplugged production to highlight the music of Alicia Keys.

The show from the Brooklyn Academy of Music featured guest appearances from Common, Mos Def, Damian Marley and Adam Levine (Maroon 5).

"It's an honor to step into the spotlight of the MTV Unplugged concert series and share in the legacy that MTV has created with previously great Unplugged performances," said Alicia Keys in a statement. "This MTV Unplugged is such an amazing and eclectic musical experience which enabled me to arrange the songs with a new perspective, express myself musically, and connect with my fans on a different level then ever before. It's an honor that MTV is bringing back Unplugged for me and I can't wait for you to hear these new songs! You're going to love them."

MTV will air Unplugged: Alicia Keys on September 23rd.

A CD and DVD of the performance will be released on October 11.

Aug 16, 2005

Nahmix says buy...

#1

So to all those who doubted the existence of this here mixtape, let me just say it's real! Thanks to the anonymous posters who posted this link early Sunday morning! Although it appears that the cd is available for purchase, the link to add to your cart is disabled. Now I know that doesn't help us much at the moment, but I feel like we're getting warmer!!!

#2

#3

No your eyes aren't deceiving you. Take a stroll down memory lane with this classic after school special. Thanks to fuss for letting a sistah know about this. I'm all over it!!

#4

So, if you don't own at least one Fleetwood Mac album, shame on you. Run out and at least buy this recommended 2-disc greatest hits collection immediately. I promise you won't be disappointed.

#5
For all the avid reader's or summer m's of the world, this Oprah book club Summer of Faulkner set is well worth every penny. Yes, the summer season is coming to a close, but you can curl up with these classics well into the fall. I know I'll still be reading them as I struggle through The Sound and the Fury. If you find yourself in need of help, just hit up summer m. here!

Aug 2, 2005

Um, yeah!

One would think that after the concert I attended last night, I'd be flying high off the performances, the excitement and surprises of the night, but I'm not. I don't know, maybe it's my lack of carbs these past couple of days or my constant overdosing on diet coke (yes, it is like crack and I'm HOOKED), but I left the concert in a pretty blah mood. I mean, I had a great time and all, but I can't explain why I don't feel as hyped today as I usually feel the day after a concert; and there are definitely a number of reasons to be excited.

In one night, I got to see Rahzel, the Godfather of Noize, formerly of The Legendary Roots Crew beatbox!
He opened up the night with a brief stroll through hip hop history before De La Soul hit the stage!
I was most excited to see them because not only am I a fan, but it was my first time ever seeing them perform in concert. It was definitely well worth it! They performed their classic hits and got the crowd hyped. They reminded me of just why I love hip hop so much and will never turn my back on it, although it's slowly climbing further into a ditch.

De La was the reason why I stayed up until 4am, downloading classic shit that I'd almost forgotten about. I was a complete maniac, high on diet coke, finally rebuilding my itunes library, after the crash that took my second born!
In addition to their own stellar performance, they brought out Dres of Black Sheep. Can you believe it? I was so shocked, but I rocked out fa sho! Sad to say...I haven't thought about Black Sheep in a minute!

Back in the day, I had quite an impressive hip hop collection on tape, but with the advances in technology over the past two decades, I'll admit that I haven't been on top of replacing that collection with cds. Unfortunately, due to my current financial situations, replenishing my collection ain't happening no time soon.

But anyway, Dres held it down for Black Sheep. It's just too bad that quite a few wack ass Chitowners acted as if they had no clue about Black Sheep. But oh well, the entire landscape of hip hop has changed so drastically that, I'm just grateful for artists like Common and The Roots who continue to bring it, whether you think their albums are consistent or not!
As usual, Common's performance was hot, a bit cheesy with the skits, but I really can't complain! It's just a shame that he and De La were the opening acts for John Legend and only got an hour to cover their material.
After De La, Com and Dres, I could have left, but I stayed to see J Leg do his thing. I wasn't impressed. I prefer the album. That voice was howling all out of control. A few times, he hit notes that made me cringe with that feeling of fingernails screeching across the chalkboard.

The likely highlight of his performance was the surprise appearance of none other than the cock-jawed egomaniac himself…’Ye. Yes, you read correctly! Kanye West made a guest appearance. He hopped his ass onto the stage and performed Gold-digger and Diamonds, much to the crowd’s enjoyment! Com, Ye and John performed They Say, one of my favorites on Be. So, I'll let 'Ye's appearance slide for now!
Overall, John Legend just didn't seem as polished as I would have liked him to be, and that's ok to a certain extent. I mean, I realize that he's new to the game, but I still needed a little more sophistication in his style, less wild runs and more stage aggression...something! For example, when Kanye came out, the crowd completely lost it! Maybe that was a little bit intimidating for Legend, but he should have positioned himself better on stage. Kanye just stole the spotlight for the 15 minutes he was on. J Leg was like standing near the back of the stage nodding his head. I know Kanye was performing his two tracks, but that was John Legend's tour. He should have been standing up front, right next to 'Ye, singing the hook or some shit!

But anyway, it was definitely a night of excitement, but the feeling just hasn’t lingered on for me! I am however, still excited about spotting Queen Latifah in VIP having a damn good time hanging out with Com and De La. *sighs with jealousy*
So, I guess I'll just have to wait and see how I'm feeling after the Faith Evans concert at the HOB on Wednesday! Until then...

Aug 1, 2005

I gotta get it!!!!

So, I came across this bit of info on allhiphop.com. Maybe y'all have heard about it already, but it's definitely news to me! Lauryn has a mixtape?!?! Check out the tracklisting...remixes, live international performances and collabos....sounds like it's serious hot shit!!! I mean Killing me Softly with Mos Def, Like Water with Common and Black Thought, Tell Him performed live and Killing a Soundboy with Buju Banton; I'm gushing inside!!!!


THE BEST OF LAURYN HILL VOLUME ONE: FIRE

1. WELCOME: THE PASSION
2. THE REINTRODUCTION F. ROHAN MARLEY
3. LOST ONES (J.PERIOD SOUNDCLASH REMIX)
4. LOST ONES (J.PERIOD DEFINITION REMIX)
5. VOCAB INTERLUDE
6. NAS ON LAURYN HILL
7. IF I RULED THE WORLD
8. IF I RULED THE WORLD (J.PERIOD LOST TAPES REMIX)
9. KEEP IT TIGHT F. DJ SKRIBBLE
10. ON POETRY (INTERLUDE)
11. FAMILY BUSINESS
12. YEAR OF THE DRAGON F. WYCLEF
13. THE SCORE
14. MEETING THE FUGEES INTERLUDE
15. NAPPY HEADS (REMIX)
16. FLEX FREESTYLE (J.PERIOD REMIX)
17. BLACK THOUGHT INTERLUDE
18. DOO WOP (J.PERIOD ATLIENS REMIX)
19. DOO WOP (J.PERIOD BOOKS REMIX)
20. SWEETEST THING (MAHOGANY REMIX)
21. MAHOGANY F. JOHN FORTE (J.PERIOD REMIX)
22. READY FOR THE SHOW
23. READY OR NOT F. BIGGIE (J.PERIOD EXCLUSIVE REMIX)
24. MESSAGE MUSIC (INTERLUDE)
25. RECOGNITION F. WYCLEF (PANTHER)
26. RUMBLE IN THE JUNGLE F. Q-TIP & JOHN FORTE (REMIX PRODUCED BY J.PERIOD)
27. REFUGEES IN SWEDEN INTERLUDE (LIVE EXCLUSIVE)
28. ZEALOTS
29. 96 UK FREESTYLE (UNRELEASED)
30. HOW MANY MICS
31. HOW MANY MICS (J.PERIOD TRUTH REMIX)
32. BUJU BANTON INTERLUDE
33. KILLING A SOUNDBOY F. BUJU BANTON + STEELE (WORLD PREMIERE! REMIX PROD. BY J.PERIOD)
34. STRICTLY ROOTS INTERLUDE (LIVE EXCLUSIVE)
35. WATCH OUT FOR BABYLON FREESTYLE(J.PERIOD JAMROCK REMIX)
36. YOU HAVE TO RESPECT JERSEY (J.PERIOD EXCLUSIVE)
37. ALLIES (F. WISE INTELLIGENT)
38. COWBOYS F. FUGEES, OUTSIDAZ & RAH DIGGA
39. BAM BAM INTERLUDE (PROD. BY J.PERIOD)
40. FU GEE LA (SLY & ROBBIE REMIX)
41. EX-FACTOR (SIMPLE BREAKDOWN) (J.PERIOD HEADACHE REMIX)
42. SIMPLE BREAKDOWN (J.PERIOD RESPIRATION REMIX)
43. CHANGE COMES EVENTUALLY INTERLUDE
44. EVERYTHING IS EVERYTHING
45. BONUS: SOON AS I GET HOME (LIVE IN SWEDEN)

VOLUME TWO: WATER

1. LIGHT MY FIRE / JOSE FELICIANO INTRO
2. SUPERSTAR
3. GUANTANAMERA
4. FU GEE LA (REFUGEES REMIX)
5. FU GEE LA (GLOBAL REMIX) (UNRELEASED)
6. FU GEE LA (J.PERIOD STORY TO TELL REMIX)
7. ALL MY TIME F. PAID & LIVE (UNRELEASED)
8. WHAT ABOUT MY HONEY MARY? (INTERLUDE)
9. BE WITH YOU (REMIX) F. MARY J. BLIGE
10. ALL SO SIMPLE (INTERLUDE)
11. EX FACTOR
12. MANIFEST (LIVE IN UK - UNRELEASED)
13. THE SWEETEST THING (ORIGINAL)
14. ZIGGY MARLEY INTERLUDE
15. TURN YOUR LIGHTS DOWN LOW (REMIX) F. BOB MARLEY
16. CEDELLA MARLEY INTERLUDE
17. WAR (LIVE IN TOKYO - UNRELEASED)
18. NO MORE TROUBLE (LIVE IN TOKYO - UNRELEASED)
19. REHEARSAL (BACKSTAGE EXCLUSIVE)
20. ZION
21. ON HAVING CHILDREN (INTERLUDE)
22. CAN'T TAKE MY EYES OFF OF YOU
23. BONITA APPLEBUM INTERLUDE
24. KILLING ME SOFTLY
25. KILLING ME SOFTLY F. MOS DEF (J.PERIOD REMIX)
26. MOS DEF INTERLUDE
27. LIKE WATER F. COMMON & BLACK THOUGHT (WORLD PREMIERE! REMIX PROD. BY J.PERIOD)
28. MUSICAL INFLUENCES (INTERLUDE)
29. I NEVER DREAMED YOU�D LEAVE IN SUMMER
30. NOTHING EVEN MATTERS (F. D'ANGELO)
31. TELL HIM (LIVE)
32. MR. INTENTIONAL (LIVE)
33. MESSAGE TO THE CRITICS
34. SAM COOKE TRIBUTE
35. A CHANGE IS GONNA COME (UNRELEASED)
36. MESSAGE TO THE FANS / CHRIS ROCK OUTTRO
37. REDEMPTION SONG F. ZIGGY MARLEY (LIVE IN JAMAICA)
38. ON GRATITUDE (INTERLUDE)
39. REPRISE: THE PASSION (OUTTRO)

Jul 17, 2005

Great $15 concert....homewrecker


So, thanx to summer m. for once again hippin' me to some hot shit; in this case, the music of Canadian artist, Esthero!!! In spite of Ms. Esthero's diva-like behavior on Saturday night in having us wait forever for her ass to perform, the concert was definitely well worth it!

I'm still a newbie to her catalog, so I can't give you her setlist, but if you haven't seen her perform....do so ASAP! I promise you won't be disappointed! Her sound is a bit reminiscent of Pink (first album) with definite rock and hip hop influences.


Suprisingly, one of the main highlights of the concert was her opening act, Toya Alexis. Some of you might be familiar with her as one of the top ten finalists on Canadian Idol 2003. Ms. Toya Alexis not only opened the show, but she got the crowd hyped. Her vocals were just incredible and her stage presence was superb! The sista could definitely sang!!!!

Her debut album, S.O.B. Story drops on August 2nd, so check it out!
FMI: here.


P.S. Thanks Ms. Esthero for fucking my friend's boyfriend after the concert. They're definitely over!!!

Jul 13, 2005

Another Concert Gripe: Wyclef Jean


So, on Monday night I drove up to Ravinia (Highland Park, IL) to see Haitian hip hopper, Wyclef Jean in concert. Although I'm not a huge Wyclef fan, (I maintain that Masquerade is his BEST album) I was still psyched about going to the concert, mostly because I've been quite bored with myself lately. It also helped that one of the directors at the theater where I work, previously worked as a director at Ravinia; so needless to say...a sistah got a hook up.

Ravinia is a huge park known for its summer/fall concert series. They bring a range of artists from old folk groups to classic soul and select hip hop artists here and there. Aretha Franklin is a regular. Each year she sells out the park as if it's still the late 60's. Concert goers come from all over the city and burbs to picnic on the lawn and enjoy the music.

All seemed well with the evening. Strangely, a gospel choir opened for Wyclef. I didn't catch their name, but they rocked some classic gospel songs and did a brief and decent tribute to Luther Vandross. I thought the night was going to be perfect until Wyclef brought himself on stage for what would be a lackluster hour and half performance. I mean seriously...can y'all say a brotha was doing too much and nothing at all?!?!

That's right...Clef wasn't on his game. It wasn't bad, but let's just say, had I actually paid the $15 cost for the lawn seat...I would have been a tad bit shitty!

As a serious concertgoer, I consider myself to be a good judge of live performances. I like innovation and I don't require much for a performance to be worth the money. However, in order for me to even begin to consider a concert to be worth the money, it must consist of mostly the artist's OWN music!!! If not, then why the hell am I there??

In case you are a bit stunned...so am I!! I couldn't believe that 2/3 of Wyclef's performance was of other people's music. He sang parts of three songs from The Score, Ready or Not, Fu-Gee-La and No Woman No Cry. He sang a little bit of 911 from Ecleftic and parts of Gone Till November and Guantanamera from Carnival. Now y'all know I was already salty since I said above that Masquerade was his best album. I guess it's his least favorite, but shit, not even one song?? He managed to sing a part of some other song from The Preacher's Son for a total of maybe 8?!?! The remaining one hour was devoted to singing old school soul, dancehall and some other classic stuff. However, if I wanted to see Elephant Man meets Earth, Wind and Fire, I would have just stayed home and made a damn mix tape.

The energy of the crowd fluctuated between medium and high most of the night. He tried hard to pump the crowd up by bringing folks on stage to sing and dance and by repeatedly shouting out all the Haitians and other West Indians and Caribbean folks in the place, but it just wasn't enough. Overall, I was glad to get out and do something outdoors and music related, but I wasn't really impressed with Wyclef's performance.

Jul 4, 2005

Old School Perfection


So, a few weeks ago fecundmellow blogged about songs she never gets sick of hearing. Somewhat similiarly, I've been working on a list of old school songs that I think are absolutely perfect. By perfect, I mean, lyrics, music, melody and the way the artist sings the song.

A perfect song gets your attention from the very beginning and grabs hold of your emotions immediately. The perfect song has the power to make you laugh, make you smile, make you cry, and always compels you to sing as loudly as possible (or maybe thats just me)! You may not be in love or having a good day, but the music would have you believing that you just found that one and that everything is alright with life! There use to be a time where the music told real stories, but now, music just ain't what it used to be.

So, in no particular order, here's my list...

1. Inside My Love – Minnie Ripperton
Two people, just meeting, barely touching each other
Two spirits, greeting, tryna carry further
You are one, and I am another
We should be, one inside each other


2. Lovely Day – Bill Withers
When I wake up in the morning love
and the sun light hurts my eyes
And something without warning love bears heavy on my mind.
Then I look at you and the world's alright with me
Just one look at you and I know it's gonna be -
A lovely day - lovely day


3. Zoom – The Commodores
Whoa, I like to greet the sun each mornin'
And walk amongst the stars at night
I'd like to know the taste of honey in my life
In my life


4. You are My Starship – Norman Connors
You are my light, I have to go on
Have me anyway you want to
Just take care and love me
Til my tension's gone

Cause you are my starship
Come take me up tonight
And don't be late


5. Voyage to Atlantis – The Isley Brothers
Can I go on my way without you
Whoa...how can I know
If I go on my way without you
Whoa...where would I go

Set sail with me
Misty lady, set my spirit free
New love to find
And though I leave another behind

I'll always (Come back to you)


6. Yes I'm Ready - Barbara Mason
I don't even know how to love you
Just the way you want me to
But I'm ready [ready] to learn (to learn)
Yes, I'm ready [ready] to learn (to learn)
To fall in love, to fall in love, to fall in love with you


7. Natural Woman – Aretha Franklin
Looking out on the morning rain
I used to feel so uninspired
And when I knew I had to face another day
Lord, it made me feel so tired
Before the day I met you, life was so unkind
But your love was the key to my peace of mind

Cause you make me feel, you make me feel, you make me feel like
A natural woman


8. Neither One of Us - Gladys Knight
It's sad to think we're not gonna make it
And it's gotten to the point
Where we just can't fake it
For some ungodly reason
We just won't let it be

I guess neither one of us
Neither one of us wants to be the first to say good-bye


9. Daydreaming – Aretha Franklin
Daydreamin' and I'm thinkin' of you
Daydreamin' and I'm thinkin' of you
Daydreamin' and I'm thinkin' of you
Daydreamin' and I'm thinkin' of you
Look at my love blowing away
He's the kind of guy that would say
"Hey, baby let's get away
Let's go some place, huh"
Well I don't care
He's the kind of guy that you give your everything
You trust your heart, share all of your love
Till death do you part


10. You’re All I Need to Get By– Tammy Terrell & Marvin Gaye
You're all I need to get by.
Like the sweet morning dew, I took one look at you,
And it was plain to see,
you were my destiny. With my arms open wide,
I threw away my pride
I'll sacrifice for you
Dedicate my life for you

I will go where you lead
Always there in time of need
And when I lose my will
You'll be there to push me up the hill
There's no, no looking back for us
We got love sure 'nough, that's enough
You're all, You're All I need to get by.


11. Feel Like Making Love – Roberta Flack
Strollin’ in the park, watching winter turn to spring
Walkin’ in the dark, seein’ lovers do their thing, mmm

That’s the time I feel like making love to you.
That’s the time I feel like making dreams come true.

In a restaurant, holdin’ hands by candlelight.
When you’re touchin’ me, wanting you with all my might.


12. Sir Duke – Stevie Wonder
Music is a world within itself
With a language we all understand
With an equal opportunity
For all to sing, dance and clap their hands
But just because a record has a groove
Don’t make it in the groove
But you can tell right away at letter a
When the people start to move

They can feel it all over
They can feel it all over people


13. Strawberry Letter 23 - Shuggie Otis/Brothers Johnson
Hello, my love
I heard a kiss from you
Red magic satin playing near, too
All through the morning rain I gaze
The sun doesn't shine
Rainbows and waterfalls runnin' through my mind

In the garden, I see
West purple shower bells and tea
Orange birds and river cousins
Dressed in green


14. Sara Smile – Hall & Oates
Baby hair with a woman's eyes
I can feel you're watching in the night
All alone with me and we're waiting for the sunlight

When I feel cold, you warm me
And when I feel I can't go on, you come and hold me

It's you... And me forever
Sara Smile
Won't you smile a while for me
Sara


15. Yearning for your Love - The Gap Band
The time has come for us to stop messin’ around
‘Cause don’t you know that I like havin’ you around
In my life
Oh, baby

So many times I want to hold you, oh, so near
I want to say I love you softly in your ear

Oh, baby
Don’t keep running

My heart is yearning for your love
‘Cause my heart is yearning for your love

Jul 1, 2005

R.I.P. Luther Vandross


Luther Vandross, R&B crooner deluxe, dead at 54

By Nekesa Mumbi Moody
ASSOCIATED PRESS

NEW YORK – Grammy award winner Luther Vandross, whose deep, lush voice on such hits as "Here and Now" and "Any Love" sold more than 25 million albums while providing the romantic backdrop for millions of couples worldwide, died Friday. He was 54.
Vandross died at John F. Kennedy Medical Center in Edison, N.J., said hospital spokesman Rob Cavanaugh. He did not release the cause of death but said in a statement that Vandross "never really recovered from" a stroke two years ago.

Since the stroke in his Manhattan home on April 16, 2003, the R&B crooner stopped making public appearances – but amazingly managed to continue his recording career. In 2004, he captured four Grammys as a sentimental favorite, including best song for the bittersweet "Dance With My Father."

Vandross, who was still in a wheelchair at the time, delivered a videotaped thank you.

"Remember, when I say goodbye it's never for long," said a weak-looking Vandross. "Because" – he broke into his familiar hit – "I believe in the power of love."

Vandross also battled weight problems for years while suffering from diabetes and hypertension.

He was arguably the most celebrated R&B balladeer of his generation. He made women swoon with his silky yet forceful tenor, which he often revved up like a motor engine before reaching his beautiful crescendos.

Jeff O'Conner, Vandross' publicist, called his death "a huge loss in the R&B industry. He was a close friend of mine and right now it's shocking."

O'Conner said he received condolence calls Friday from music luminaries such as Aretha Franklin, Patti LaBelle, Michael Jackson and Quincy Jones.

Singer Roberta Flack, on tour in Japan, said she was mourning the loss of her friend of more than 20 years.

"He was a musician who couldn't help but give you all he had," she said by telephone. "He was the kind of guy who was born to do what he did musically and let the world know about it. He was not born to keep it smothered in the chest."

Vandross was a four-time Grammy winner in the best male R&B performance category, taking home the trophy in 1990 for the single "Here and Now," in 1991 for his album "Power of Love," in 1996 for the track "Your Secret Love" and a last time for "Dance With My Father."

The album, with its single of the same name, debuted at No. 1 on the Billboard charts while Vandross remained hospitalized from his stroke. It was the first time a Vandross album had topped the charts in its first week of release.

In 2005, he was nominated for a Soul Train Music Award for a duet with Beyonce on "The Closer I Get To You."

Vandross' sound was so unusual few tried to copy it; even fewer could.

"I'm proud of that – it's one of the things that I'm most proud of," he told The Associated Press in a 2001 interview. "I was never compared to anyone in terms of sound."

Vandross' style harkened back to a more genteel era of crooning. While many of his contemporaries and successors belted out tunes that were sexually charged and explicit, Vandross preferred soft pillow talk and songs that spoke to heartfelt emotions.

"I'm more into poetry and metaphor, and I would much rather imply something rather than to blatantly state it," he said. "You blatantly state stuff sometimes when you can't think of a a poetic way to say it."

A career in music seemed predestined for the New York native; both his parents were singers, and his sister, Patricia, was part of a 1950s group called the Crests.

But he happily toiled in the musical background for years before he would have his first hit. He wrote songs for projects as varied as a David Bowie album ("Fascination") and the Broadway musical "The Wiz" ("Everybody Rejoice (Brand New Day)"), sang backup for acts such as Donna Summer and Barbra Streisand, and even became a leading commercial jingle singer.

Vandross credited Flack for prodding him to move into the spotlight after listening to one of his future hits, "Never Too Much."

"She started crying," he recalled. "She said, 'No, you're getting too comfortable (in the background). ... I'm going to introduce you to some people and get your career started.'"

Vandross' first big hit came as the lead vocalist for the group Change, with their 1980 hit, "The Glow of Love." That led to a recording contract with Epic Records, and in 1981, he made his solo recording debut with the disc "Never Too Much." The album, which contained his aching rendition of "A House is Not a Home," became an instant classic.

Over the years, Vandross would emerge as the leading romantic singer of his generation, racking up one platinum album after another and charting several R&B hits, such as "Superstar," "Give Me The Reason" and "Love Won't Let Me Wait."

Yet, while Vandross was a household name in the black community, he was frustrated by his failure to become a mainstream pop star. Indeed, it took Vandross until 1990 to score his first top 10 hit – the wedding staple "Here & Now."

"I just wanted more success. I didn't want to suddenly start wearing blond wigs to appeal to anyone," he told the AP.

"This is the same voice that sang Pepsi-Cola, Coca-Cola, NBC 'proud as a peacock,' ... America, the world, has heard the voice, so there's no reason that that music shouldn't have gone the complete distance, I mean, to number one."

Another frustration for Vandross was his lifelong battle with obesity. Health problems ran in his family, and Vandross struggled for years to control his waistline. When he first became a star, he was a hefty size; a few years later, he was almost skinny. His weight fluctuated so much that rumors swirled that he had more serious health problems than the hypertension and diabetes caused by his large frame.

Vandross' two sisters and a brother died before him. The lifelong bachelor never had any children, but doted on his nieces and nephews. The entertainer said his busy lifestyle made marriage difficult; besides, it wasn't what he wanted.

Associated Press Writer Sam Dolnick contributed to this story.

Jun 16, 2005

Neo-Soul Gone Bad: Jaguar Wrong...


So, being the "neo-soul" nut that I am, I try to keep up with the latest of most of the artists in the genre. Among those is okp artist, Jaguar Wright. She's had one album so far, "Denials, Delusions and Decisions," but is better known for her vocals on Jay-Z's Unplugged album. She was the sista singing back up, who broke it down something fierce on "Heart of the City" (my favorite Jay song) and "Song Cry."

If you're not familiar with Jag's catalog, you'd think from hearing her on Unplugged, that her first album must be hot shit, but it's not. She had a couple of good tracks, but nothing to run out and spend your $10 on. Don't get me wrong, I like me some Jag; but I think she could truly benefit from a strong writing team and better production.

As a slightly more underground artist, she has a bit too much control of her music. Case in point, her sophomore album due out on June 28th:
Someone please tell me why she was allowed to title this album, DIVORCING NEO 2 MARRY SOUL?

Not only is that not an album title, it's DUMB! I get what she's trying to get at it, but give me a break already! It's still plain DUMB! Did she not learn anything from "Denials, Delusions and Decisions," which by the way, is also NOT an album title? I hate when folks start getting big-headed. I feel like she needs a dose of "your first album was mediocre at best!"

I mean seriously, do artists (minus that nigga 'Ye, of course) not recognize their own wackness? Shame on the record label for this one. She tried to do too much with the first album, and it came up WAY short. For her sake, I hope this one is solid!

May 23, 2005

The long awaited...




and greatly anticipated sixth release from Common...Be will be in stores TOMORROW! I'll be in the Border's on my lunch hour picking up this 'Ye certified Classic!!!

So, as soon y'all pick up your copies, I need reviews!

-M

May 22, 2005

In the news again...

See, I said I was gonna leave these assholes alone after my last fiasco (see: A Thuggish Ruggish Disaster and the follow-up Krayzie really is going through some thangs!), but they can't seem keep their shit together! They give me more reason to talk about their silly asses! Check this mess out....

BIZZY BONE AND WISH BONE FIGHTING?
(Allhiphop.com)

Now, I can’t confirm this, because I can’t find it where its supposed to be (whateverthat means). But I heard that Bizzy Bone’s publicist recently admitted on the group’s website that her artist was fighting Wish Bone. Apparently, the melee popped off when Wish asked Bizzy why he wouldn’t come back to The Bone Thug group. And Bizzy was like, “Where is the papers and the paper.” And seems like the matter escalated to blows. This occurred last week at a Bizzy show, I heard. I also heard that the group's major label come-back project is in serious jeopardy now that Bizzy ain't on board.


Now I know it's a rumor and all, but I mean, really...why? Is this some reverse fame shit? Are they thinking that maybe if they keep their names in the media, even on some bullshit, people will care?